Containing lots of the usual Gilbertian fun along with the fresh music of a young Sullivan, "The Sorcerer" is the first extant full-length work of that duo.
Footnote (for the discriminating Savoyard)
:
An unfortunate error crept into the programme circulated to the
audiences of "The Sorcerer". This is the statement the the character Dr.
Daly is the only clergyman in the Savoy operas. In fact there are several
others, of whom The Mikado (The Mikado), as the High Priest of Shinto is
the most prominent example, closely followed in clerical power and
prominence by Don Alhambra, the Grand Inquisitor (Gondoliers). Compared
with these clerical eminences, Dr. Daly is small beer indeed.
Another
clergyman who must appear on stage is that ghostly baronet of Ruddygore
who objects to the otherwise unanimous support for the carrying off by Sir
Ruthven Murgatroyd of a lady. That character is certainly a clergyman,
usually portrayed as a bishop. In addition to these four, two others are
mentioned and may appear on stage at the discretion of the director : the
Doctor of Divinity (Pirates) --- who did appear in the film version of the
Broadway Pirates of the early 1980s, and Colonel Fairfax's confessor,
(Yeomen) who is sometimes presented as a walk-on part. Another possibility
(which I do not think has ever been staged) is to have a few of the Lord
Bishops in the Peers chorus (Iolanthe), where they do indeed belong, as
Phyllis is supposed to be being pursued by the entire House of Lords.
We may also wish to speculate on whether the aetherializing profession of
Tarara (Utopia) might place him in the clerical category.
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