[NatureNS] Yellow-rumped Warbler song variations

DKIM-Signature: v=1; a=rsa-sha256; c=relaxed/relaxed;
Date: Wed, 2 May 2012 11:22:46 -0300
From: James Churchill <jameslchurchill@gmail.com>
To: naturens <naturens@chebucto.ns.ca>
Precedence: bulk
Return-Path: <naturens-mml-owner@chebucto.ns.ca>
Original-Recipient: rfc822;"| (cd /csuite/info/Environment/FNSN/MList; /csuite/lib/arch2html)"

next message in archive
next message in thread
previous message in archive
Index of Subjects


--e89a8ff25688d40d9a04bf0e6b55
Content-Type: text/plain; charset=ISO-8859-1

hi folks,

I am doing a lot of point counts these days and reminded
of how variable the Yellow-rumped Warbler songs are, including:

a. trills (or "warbles") that, at the end, drop in pitch and speed up (as
if they run out of steam before finishing)
b. trills that ascend in pitch at the very end
c. trills that are two-toned; starting off one one pitch then switching
to a lower second pitch (similar in structure to a Nashville or Wilson's
Warbler)
 d. uniform trills with no distinct ending (reminiscent of one of the
American Redstart song types)
and others...

Some of these are highlighted in the Sibley iphone/ipod app (and I'm sure
on Dendroica as well):

a."Myrtle songs #1_NY" and "Myrtle songs #3_NY"
b. end of "Myrtle songs #1_NY"
c. "Myrtle songs #2_NY"
d. "Myrtle songs #4_AK"

I have heard all of these variations in the past month and have had to
track a couple down to verify they weren't early Redstarts, Nashvilles or
Wilson's (Wilson's-es?).
During migration period, sometimes even more so than song structure
and habitat, the pitch and timbre of their voice seem, to me, to be
the most reliable cues.

happy listening,
James.

-- 
James Churchill
Kentville, Nova Scotia
Email: jameslchurchill@gmail.com
Phone (h): (902) 681-2374
Skype: jameslchurchill

--e89a8ff25688d40d9a04bf0e6b55
Content-Type: text/html; charset=ISO-8859-1
Content-Transfer-Encoding: quoted-printable

<div>hi folks, </div>
<div>=A0</div>
<div>I am=A0doing a lot of point counts these days and reminded of=A0how=A0=
variable=A0the Yellow-rumped=A0Warbler songs are, including:</div>
<div>=A0</div>
<div>a. trills (or &quot;warbles&quot;)=A0that,=A0at the end, drop in pitch=
 and speed up (as if they=A0run out of steam before finishing)=A0=A0</div>
<div>b.=A0trills that ascend in pitch at the very end</div>
<div>c.=A0trills that are=A0two-toned; starting off one one pitch then swit=
ching to=A0a lower second pitch (similar in structure to a Nashville or Wil=
son&#39;s Warbler)</div>
<div>
<div>d.=A0uniform trills with no distinct ending=A0(reminiscent of one of t=
he American Redstart song types)</div></div>
<div>and others...</div>
<div>=A0</div>
<div>Some of these are highlighted in the Sibley iphone/ipod app (and I&#39=
;m sure on Dendroica as well):</div>
<div>=A0</div>
<div>a.&quot;Myrtle songs #1_NY&quot; and &quot;Myrtle songs #3_NY&quot;</d=
iv>
<div>b. end of=A0&quot;Myrtle songs #1_NY&quot;</div>
<div>c. &quot;Myrtle songs #2_NY&quot;</div>
<div>d. &quot;Myrtle songs #4_AK&quot;</div>
<div>=A0</div>
<div>I have heard all of these variations in the past month and have had to=
 track a couple down to verify they weren&#39;t early Redstarts, Nashvilles=
 or Wilson&#39;s (Wilson&#39;s-es?).</div>
<div>During migration period,=A0sometimes even more so than=A0song structur=
e and=A0habitat,=A0the pitch and timbre of their voice=A0seem, to me,=A0to =
be the=A0most reliable cues.</div>
<div>=A0</div>
<div>happy listening,</div>
<div>James. </div>
<div><br>-- <br>James Churchill<br>Kentville, Nova Scotia<br>Email: <a href=
=3D"mailto:jameslchurchill@gmail.com" target=3D"_blank">jameslchurchill@gma=
il.com</a><br>Phone (h): <a href=3D"tel:%28902%29%20681-2374" target=3D"_bl=
ank" value=3D"+19026812374">(902) 681-2374</a><br>
Skype: jameslchurchill<br><br><br><br></div>

--e89a8ff25688d40d9a04bf0e6b55--

next message in archive
next message in thread
previous message in archive
Index of Subjects