The Star Chamber
Mike Phalen's Other Hand
TOP
Lost in street hockey
the other kids paid Mike Phalen no mind
when he'd round the corner by the hydrostones
limping along his daily circuit
coffee shop, laundromat, ball diamonds
like fingers clicking a rosary to pass the time
He always played it close to the chest, his other hand
cradled to coat like an injured sparrow
I could never see just what it was
the arthritic knuckle-bulbs clutched so dear
suspected it must be top secret and made discreet inquiries
Mrs. Clough across the street
hinted at a dockyard accident in the 1960s
involving a forklift and a shipment of ball bearings.
One of the lawless Berrigan brothers drinking by the pit
claimed the government replaced the appendage
in a UIC make-work project.
The clues suggested the limb was female,
but no one knew for sure why the first hand had gone
or how he'd got the other
As I grew, Mike and the hand grew knottier
musty National Geographics got me thinking
she might not be completely local -
maybe a red Russian agent
or from those wasted neighbourhoods of the moon
or a dark rain forest where hands swing wild on vines.
One day I tailed Mike to the Fairview Cemetery
hid behind a tree to stake out the spy rendezvous
watched him guide the hand, trembling with rusty marigolds
down to a small stone
I left the North End at 20 to go it alone
left the Case of the Mysterious Hand unsolved
in a box with dinkies and hockey cards.
Then one summer night, years later
as I washed dishes and lightning threatened the city
I received an unexpected communiqué from the original hand
Inspired by South African truth and reconciliation
it broke silence
knocked in Morse code on my radiator
the first-hand account of a daring escape
slipping out of the harbour on a ship bound for Antwerp
eluding border guards, erasing fingerprints.
Mike Phalen's lost hand had run away
from its endless work
perpetual motion in the epicentre of earthly night
ever clutching for a certain shoulder
ever plunging to a cold wasted moon,
a vacant pillow
Greg Lougainis
TOP
Do you remember that waiting room
stuffy with umbrellas like jungle flytraps
gathered up with rain? we're all playing doctor
diagnosing each other's ailment to bide the time
how you immediately dive into the glossies
cats and cars and cakebaking
you are with one of those awkward complaints
relayed by co-workers in euphemisms for dignity's sake
The morgue of magazines unsettles you further
most recent issue being from six years back
subscriber addresses pasted on the covers
maybe they're ghoulishly retrieved from those patients
not quite surviving the cure
you wonder which antechambers in Missouri or Maui
your confidential data is washing up in
and consider alerting the subscribers' families
organizing a class action suit, a union, a march on the capital
For ease you settle on a Life
featuring great sporting moments
the litany of triumphs and failures that precedes each Olympics
and magnanimously includes you in this era of grand achievement
despite being assaulted by sweating bumbershoots
and an embarrassing medical condition.
You are speed-dialing the pages, not even reading the captions
when you arrive at a photograph of a high-diver askew in mid-flight
by the senseless arrangement of his limbs, this is a "Great Failure"
yet there is something about that body, hairless and contorted
that holds you
Below the frame you envisage pools
he's cunningly knifed thousands of times
now inviting him in, down here my upstart landfish
for this time he's going to hit awry
water already honing to strip his skin
while above him in the photo
the concrete platform that just cracked his skull
a great tongue stuck out
captured reciting against the air
some ancient spell of damage and repair
Classified, New Mexico
TOP
No methodology existed to prepare for the desert
The erased places beyond the army checkpoint
You are the best, the last assigned this mission
The black, the road, desperate thrum of engine
You are alone in a car, cactus and stones
Rusted prison signs 'STOP FOR NO ONE'
The instructions burnt, you are to drive
Until the desert, the night, loses your mind
The car will know to stop in a lot
Of a diner on a road all maps forgot
On instinct you throw the keys away
Setting sand to spark a dark radium array
A usual cup will steam on the counter
Red vinyl stools, you let drop the crowbar
The dust records where you place each shoe
Outside arrive eyes, skate upon the window
Fifty years sealed it should have been dead
The headlights failing, you sip coffee and wait
The door will stretch open, nobody comes here alive
Jukebox will light, the crowd starts to jive
Blue Bottles,
Charlottetown
TOP
Three cars slither past on silk rain pavement
the edges of her ears gather quiet guitars
played with a mother's hand
she thinks about child friends, a lover lost
sings to herself
last cigarette sleeps away
in a bed of scarlet
dust
She cried today cutting onions for
her minestrone soup
other likely things
Across the street dreams the funeral parlour
its belly full of emptiness
thoughts of governments
and directions on back of the package
further out of mind
A visitor wends his way
to the goodnight car purring in the street
waves not to her
Finding no one needing someone
she sits a while longer
between the lights
Vernal Equinox
TOP
There is sun tangled up in your hair
going off in all directions, you and your disobedient locks
the day has just begun
slicking down your arm
to fingertips' touching to fingers of the other hand
around a cup of tea, an impromptu temple
you absently raise to your lips till they are lustrous
with hot Darjeeling and light
dappled you pull one fresh breath into your mouth
photons ping! ricochet off your teeth
over voice box wet with yesterday's music
hum along with Almeta
'someone belongs to everyone
no one belongs to me'
it doesn't matter now
the winter lies exposed
from this morning onward
you find each day stronger, more elaborate
ludicrous with newborn light
NYC is all of this world
TOP
from the Brooklyn Promanade
voluptuous nightsky undresses
around the twin towers
one antenna pulses out radioscopic
a longing electrostatic violin
tuned too high
for only canines
and the lonely waltz of satellites
then Packer Collegiate is the ivy dragon
the waxy scales ripple
a breeze
running fingertips through your vines
a one-legged man noiselessly
pivots on crutches
like a poltergeist horsehead pump
in an oilfield
benevolent broken brooklyn
he is a talisman
propped now on the corner
under sentry lights of
State Street Detention Facility
all those caged windows loom high behind him
a curtain of lock-box eyes
what is he soothsaying to me?
NYC is all of this world
and look the sudden vermilion halos
of the 4 seraphim who nightly perch
around the clockfaces
of the Republic National Bank
their flustering wings
all hues of the heavy weather spectrum
a typewriter writes below in raindrops
awaits my approach in the front garden
soon, soon,
I am almost home
simply
TOP
they are simply fish, my love
clouds oscillating in the biosphere and we
being of yous and eyes, simply
hurry hieroglyphs
on tombs and bones of
dustwater bottom
my love, we are simply various cigarettes
(exotic indian brands included) puff
go gods underground and embers blossom in
our extremities
oh, and you, i, we being simple
subtitles of some fishy foreign film
me and you, voicebox and cryptogram
sussing thespians
never knowing
save through stethoscopes
break-boned in faith
sanctus
TOP
a Night in Tunisia swings in
inside greenlight walls
safe, she sits
unclothed, the only way to listen
to Bird, he tacks sweetslow
mercury around the room
this grave magicien and she are
grooving
the day and her clothes shucked into
a blue Paris pile next to the chair
and she doesn't mind the hour
Tunisian night air over her breasts
smoke melting Harlems around the bulb
Diurnal Tinker Ribbons Dublin
Through TOP
Now spires gnaw against sky
tallest teeth drawing back
to pure peach flesh sinking
Hen bowing in the under
of St. Stephen’s Green
demands from her brave feather
so black rooster squares and cower last
‘Toodle Doodle doo’
In tide-fled bay, mud cups
cradling furious little oceans
slap! flap! and again the rust setters
tongue flags frothy pink pouches
tossed out from mad-bomber dog smiles
everywhere tumbling bushes
scramble-shimmer
all wild joy fires
burn beneath their tails
Thick milk of sound
churning port machines
turning grimy miracles
around the smokestack
Bloodgrass
TOP
He blew his last
kiss upon the land
by the Old Bean Gate
a hot-drawn dying circle
seeps into parched earth
forked twig spun through trigger.
Land belongs to a man
as much as he to it
In every car bumping up the lane
his wild eyes saw the R.C.M.P.
coming to take him
to burning Europe
her dying meadows
The lightning, wireless voices
wishing home from beneath his feet
for foreigner’s mud
grows only graves
Life gets lost as billycocks
swept free
on a windy day
The poplars rummaging
ploughs in their sleeping
and some might hear it
the Bloodgrass growing
The cattle now chew shoulders
mindless along the lane
of all but one thatch
of deepest emerald growth
never laying hoof nor snout
within the circumference
The Star
Chamber
TOP
In another room he is working on a cat
perched on one
knee
Steven is schooling her
in the ways of people
in
preparation for future exams
by the Immigration and Humanization
Service
or a half decent shot
on Who Wants To Be A
Millionaire
He is teaching her
to read time
To
her eyes he positions the face
of a bakelite travel
alarm
spinning its hands
in relentless gyres
He tells
her of the grandfather clock
once owned by Judas Iscariot
which
by its own power
ran for two hundred years after his
suicide
so that the shadow cast by the pendulum
wore through
the wooden panel in back
Her eyes start to track
the
scurrying second hand
later, the one for minutes
and, as the
day wears through
the prayer stylus which writes out
the
hours
Then Steven holds the clock near
her yurt of
ear
that twitches and swivels
to the ceaseless coupling of
gears
turning out time
Now, like the Jollimores'
dog
that dreamed of tin can telephones
and followed his
masters
across five states
she pushes her nose
to the
pane of the clockface:
the days' open and close and
open
again
the fanatical seasons defenestrating
for the one just
behind
At last this day's scent returns
in new
clothing
she licks a paw, bows herself in a stretch
and gets
let into the evening
Perched on a shadow worn in the
snow
by a pausing Canada Goose
she begins to track the
stars
rising over the trees, the cemetery
revolving upwards
over the house
burning styluses
writing time
Kitchen on
Villanyi Street
TOP
ssstaccattos of rain
pin
down
the earth tonight
clattered puncturations
of mad droplet
multitudes
a dear mate and I on chairs
friendly
fire-
working
mary-jane rings angelward
the window thrown
wide
devours
a sweating metropolis of spheres
so so fine, you and
I
a many-candled kitchen
Mars Is Silent With
Machines
TOP
So now we long for Mars
to signal
three intricate machines
silent, abed in the Martian
dust
billions on earth tremble
in the approach of evening
in some
places, scimitars of dawn
simultaneously in others
the heart of
night
we've become smitten
with the faces of your craters
the visage of
Charlemagne, Helen
of Troy, Audrey of Roman Holiday
millions of miles
hither
seismographs quiver on eggshells
expectant diodes
desiring only
crimson
all televisions burn blue
slipping into
that
alone-in-the-universe headspace again
We long upward from
our earth stations
satellite dishes are cold stethoscopes
gliding
over the skin of interstellar night
up where worlds rollerdisco across the
sun
Mars has gone Venetian
some ancient alchemist once said
up there
lie extinguished oceans
where murdered gondolas once played
let us
come live with you
and be your love
in the heat of stars
pressing
our shuddering mammalian bodies
down in red sand
accept these elaborate
musicboxes
as an offering, an orison
we ache to lay in our mammalian
breathing
along the shores of extinguished seas
beneath Olympus Mons
to
sleep and keep in your dunes
no longer alone
Lightness
TOP
It becomes time
to
surrender those derelict dreams
and scattered hearts
it becomes time
to begin
scheming up some new ones, you
you have never
been this
free
It becomes time to leave these places
these oceanic palaces of
ruin
target your meteors
for the thousand petalled dawn!
all gods
shall wipe tears from the eyes
all places the same to me
only the sweet
people change
upon the surface of this big, big peach
upon this earth of
torment and lilacs
heart and heartlessness
and love again! oh, that I may
love more
than anything
the light upon this earth
life passing over the
lips of a thousand
thousands, endlessly shuffling
so many in the same
device
now inside me, then you
they gossiping on the stoop, in
starlings
into Prospect Park copses
it becomes time and duskwet sky
as
all around finally, inconceivably
becomes peace, yes, you realize that
yes
you have never been this free and yes
yes, how this becomes
time
Porno
TOP
He's making
pornography
tonight on his living room floor
conducting a flesh epic of
Ben Hur scale:
an aria of locusts beaten out
on an army of
typewriters
as a friend might have said once
this is how the rain
carries-on
when stirred with ladles of lightning
he's making lonely love
to the alchemical
rhythms of locust wings, chattering on pavement
the back
of his skull, biblical buttocks
to the cool tongues of wood
someone's
genius made to interweave
Cigarette runs down in a chipped
bowl
ignites a forsaken matchstick
and his fingers brush black
mosses
pull his cock up, up into the morse
of locust rain
an opal of
semen balanced
on the tip
Thunderbolt smashes through
the reels
of storm - it is the pleasure of
all the lovers in the world
wound
together like onion
skins and shot from a sapphire cannon
makes his ass
tighten sudden
plunging up pelvis, his harpist hands and penis
deeper into
the epic infrastructure
clicking alphabets, cannonblasts
wet lacework
wings
The audience, a drenched hedgehog
tiny under a bush
outside
waits without a word
in the exact place where some moments
before
a sumptuous leaf and a hedgehog mouth
became one
Thrashing
Doves
TOP
A cavalcade
of bankrupt black-eyed susans, petal-less
on bowery, I saw the umbrellas
cheating rain tonight
and here's this kid with streetlights streaming down
his specs
splush-mushing blurricanes like the newsprint pages
fended over
my pate, one sopping text melds into the next beneath, et
cetera
conversations on my scalp, shaddup, no! speakup, morning edition-
storm
warnings, but night is coming on now and it's still cats and rats
and I am the idiot
(hey man why's that bonesoaked idjit laughing? must know
somethin )
- I got it, the neighbour's cat got it
prowling yowling in heat
again - don't even cats know seasons?
its oktober fer christssakes, put those
heatwaves away girl!
felines always make out satoric, she rainyowling
satanic
me, justa jumpin all new york fanatic, jah we're kindred
we hear
it a-comin, taint no jerusalem train pal
somthin better: bingo bongos
a-tunderin
flashy gibreel with that horn a-tootin (but no religiousity dude,
just)
HARMINOSITY
the coming epoch of tonal telepathy: out!
out! with
language n science n dirty socks n governments
n reverence n morals n
christ even these words are simple
blotnoodles on paper plates, no
doubt the rain it's GOT me
this auld namibian thumb dedum piano staccato on
hood and mailbox
all lawyers go from liars to lyres, telephones to
trombones
oh gracious! yer tea kettle
now a-pipin, hot tin
whistle
kerouac on castinets, acorn on accordian, kali on
calliope
rainclouds form a hand over manhattan strumming
viscious
skyscrapiers, become lutes n kotos n ouds n king
kong's furry grip on neck of
the empire state bouzouki
ratatatat o blacksnare bowery rainhelmets
jah,
jah huuurwrankled cat-a-wailin in her nattled nook
your tune is the seven
mutha-a-pearl trumpets all balled to one
rrrrrowwwwr! none morrrrre
earnin
r wishin r failin r frettin r regretin r schemin r grievin
just all us down
here, just aaaaaaahhhhh
a-livin
Beautiful
Martians
TOP
The whole sky came down
tonight
antimony starships plummeting
the stars gone to
earth
Prague strung out with expiring fire
from every lamp-post a star is
dying
dawn readies its oriflammes
beyond a besieged city
all bruised
lapis lazuli
her stigmatic eyes open
the firmament's host of petals
the
sudden scent of jessamine
everywhere, over and over
she passes me through
the gothic arch
most beatific of the beautiful
martians of Prague
boot
soles subsiding in Morse code
on cobblestones, tikitak
she slips inside me
from behind
swords erupt on a festival stage
spark and clash
form
vernal crucifixes of flame
in defence of the city
The alien invasion is in
full swing
a torrent of stars spinning
my flaming eyes and her
eyes
over and over
below an arcing firmament
I caught it, the sudden
scent of grace
nearer to god
the further her boots' tikitak
believe
me
Weather
TOP
(for Brian Davis)
I
kneel in Brooklyn like a pilgrimage
through the seaward window the weather is
coming on
beating out stratospheric alphabets on an army of
typewriters.
My climatological observations lead me to Tesla's theories:
a
storm is the pleasure of the world's lovers
unwinding, disembarking your
arms, their own arms
while a thunderbolt is but the weather come
collecting
From over the Atlantic it's coming for you tonight Brian
your
second night loosed in the May air
at last from solitude, from bipolar
circuitry
for two free evenings you have called this storm
ready to tell
everything when
at last, up over Tara and Eden and me
you encode into the
memory banks of clouds
stratospheric alphabets of all that has passed
and
is passing and what's yet to come
Later on you will find yourself loosed as
rain
into coastal waters, among a gaggle of plankton
through glinting
mackerel gills, then into a seal
a mark on her head the shape of
Jerusalem
city of peace, now you're all aquiver Brian
satisfied, you
carelessly swell back up into the weather
to beat out on an electrified
typewriter
all you've found this time
After The
Fall
TOP
I
it
becomes evening now
in the valley
a light, a petticoat light
scrawls
over itself
over the border outposts
to Hungary
a light, a peat
rotisserie
smelling of
the glade look of evening
II
in a
Slovak valley
a pumping station sighs
at no particular point on a
pipeline
influx and output of natural gas
from some fossilized
birthworks in Russia
to a Green's kitchen
in Hamburg
the
station
is a seized train of cement
knotted pipes and valves
tail
in one fizzling
universe, nose
in the next
somewhere
in-between
III
on the slope above
an installation
twinkling
on in a slow fit of night
a woman treasures her face
a topographical map
scored
with market Saturdays
weddings, wakes
gazetteer of near nine
decades counted out
in haphazard talk
and in an evening valley
in
Slovakia
a nearby international boundary
the mindless chug of
generators
a woman readies a bed
an old friend
for sleep
The Donny and Marie Show
TOP
When I was about seven my favorite word was armageddon
around the house I droned it incessantly, a mantra
armageddon. armageddon. armageddon.
but my mouth insisted on pronouncing it
Donny-and-Marie. Donny-and-Marie. Donny-and-Marie.
Because of Donny, I could not sleep
fearing the tooth fairy would leave a set of perfect
cannibal teeth devouring beneath my pillow
because of Marie, I had dozens of sexual thoughts
about Charlie's Angels
for years thanks to the pair of them
I could not bear to listen to a little bit of country
or rock n' roll
our television lived in the basement
where sunlight never quite reached
when clacking lego alone in front of it
I sometimes snuck glances to the empty screen --
it was always, always watching.
Down there I saw a man die for the first time
the television showed me
Later a carpenter explained it
simply mould from bad drainage
but I knew the smell, it was not mould:
instead like the teacup hole I dug by the brook
for a featherless starling I found
her beak opened and closed
in my hands for almost an hour
then became still
Down where the tv lives
where Donny and Marie live
is where things stop living
kneeling before the decrepit television
sizzles on and suddenly there's a scent
of high-tension wires in a rainstorm
heard over a broken cardiograph
Much later an engineering student explained it
simply dust heated on the cathode ray tube
but I knew behind the huge glass eyeball
much more was burning
it was not dust
but people
the television that now lives in my flat makes no smell
it has a black carapace and a remote control
so I don't even have to touch it
One night I was alone in front of it
sound off, just watching
and it showed soldiers swarming a house ablaze
subtitled "Armistice in Northern Ireland"
then legostacks of rotted people dug from a ravine
subtitled "Yugoslav Peace Accord "
then two microphones
two sets of glinting cannibal teeth
subtitled "The New Donny and Marie Show"
and the room began to quickly fill
with the perfume of corpses on fire
a mouth incessantly droning
armageddon
armageddon
armageddon
A Bengal Tiger Escapes the Bronx Zoo
TOP
(after Meeting the British)
I am coiled cage of stripes
in forest of chrome and glass
here shards work into the soft cerulean heel
the sun poisons and blossoms like a blood clot
I have locked a jungle in my mind
where you still perch and shimmer, sweet bird
filling the crouching days, night alleyways
with ancient monsoon mythos, damp tropical chatter
The villagers here are easy but bitter
the first came wrapped in newspaper and cardboard
I smiled grateful but he genuflected
Sweet bird, you gifted me with six edicts
Hannibal's elephant whispered in passing
a longing that knows no sleep
Rainy Day Tapestry
TOP
1
Mumbling + suspicious
shoe is walking
message of regret
solitude
into sidewalks
Each grey page
dotted with discarded eyes.
2
Young Swan
ass-ended and oblivious
is hunting pond bottom
for pieces of night
that drowned.
Mother is protecting
against Spirit's footfall
upon the water
On land's edge
a home of
feathers and heart
is created
3
Spirit is nailing trees shut
with fire
glorious funeral-pyres crucify
every branch and bush.
Subtle as Death waltzing
between coffee cups
on table tops
goes the clatterbash assassin.
Spirit is knocking through
wooden halls
spilling poison potions
of time and
cycle
Endless cycle
Wondrous cycle
in limbs all aflame
The Most Important Poem In the Universe
TOP
I stubbed my toe at the end of history and met you
Stooped over a bin of broken toasters you
were seeking some unforeseen philosophy
to pawn your sense of humour for
and I was running my fingers through the hair
of a midget's guitar, kicked in when the circus went religious
You said I got a good deal and I asked why keep
looking if it's there rolled up in your back pocket
It was closing time and civilisation was packed
last-minute shoppers cashing in their winnings for
Club Heaven points the angels handed out at the door
And you and I laughed our asses off
buying when everyone else was selling
amidst heaped TV sets and inflatable disposable lovers and
Rembrandts and promotions, summa cum ladies and wedding rings
totally disregarding the seriousness of the situation
wary of the true relationship between reverence
and sewn-up rectums
The Dum Pear-onion & assorted classy booze pile was where we
headed and as you taught me to play something pretty and witty
and honest
they turned off the lights and locked up time
unaware of the beautiful drunken savages in aisle 42
And who but us knew, while they were unplugging the planet
and erasing the headstones
we conspired the most important poem in the universe
on the corners of our upturned lips
Satellites of
Love
TOP
Look way up into the
night
and you'll see us there
up where the skies undress
and the
breathless moons commence
hurtling through the troposphere,
ionosphere
paramour-a-sphere
up to haunted orbits of
satellites
bristling antennae
picking each other up
I once
believed
the scarred moons ached to be up here
now I know they just had to
be here
astronomical compulsion
drives us to this stellar
junkyard
where two sophisticated contraptions can collide
and leave
nothing behind
not even sound
The speed we race at
makes us
superhuman
posthuman
all of us up here feel it
our bodies gradually
altering, evolving
the speed we race at hones us sword-like
brutal and
efficient
we desire as silent as moons
through the
stratosphere
colliding without a sound
in a cosmic tournament
of
sensual smash up derby
Against a vast weir of galaxies
your sensorium
registers me
and the gyroscope inside you
and the gyroscope inside
me
adjusts trajectories
compels us to each other
across the asphyxiated
ether
Now solar panels unravel
we are metalized blue herons
lifting
wings to stars
for you I wear my best John Glenn tin foil
vacuum-packed,
skin-tight
something saucy and Y2K compliant
that shows off my ass and
eyes
'yes, your eyes' she said
'those eyes are like
shipwrecks
spaceshipwrecks'
and you have wrapped your cosmonaut
body
with a garland of comets
like a string of strobing
fireflies
You probe in with your lips
bringing on a sudden eclipse
that
frightens villagers
on the blue planet far below
they tremble and fall to
earth
praying to their curious gods
We attain zenith
linger for a
few breathless moments
then, as satellites do
we deftly uncouple gossamer
panels
mute as asteroids
watch each other's escape
velocity
spiral, recede into relentless night
we resume our
broadcasts
on spectral frequencies
soap operas, weather data
messages
of welcome
messages of distress
Night Skies and
Starcraft
TOP
In an hour or
so
you will burst into the kitchen
and release a firing squad of
raindrops
as if the linoleum was the nightsky
and you were in
Baikonur
scattering confetti or starcraft
The room is warm and your
mind teems
like a twelve story library
there is hummus and milk in the
fridge
in the sink dishes from the morning
in another room your
futon
looking positively mugged
a swirl of warpipes, cider
human
confluence
Not far from here
lies the Greenpoint
frontier
antennae and checkered oil tanks
the Kills and then the Queens
badlands
where live the eaters of flesh
or so it is said
His tongue
turned green last night
enviously slickened the length of your sides
while
the sky opened up
under cover of darkness like a secret experiment
only
it's not Baikonur anymore
not Budapest or even Warsaw
so what's it
for
all this celestial bread and circus
In the library you came
across a study
on The Phenomena of Premature Death By Amusement
you left
it well alone
feeling it eerily contextual with no promise of
insight
into the mating habits of fevered Marxists
Marxism was
really all about free love
globally speaking
though the premise of
enjoying one's self to death
persisted like afterglow where your
heart
and his heart continue to race
while your two bodies become eerily
still
what the absinthe drinkers call
petit mort
In an hour
or so you will make tea
from the emergency supply
and watch your brown
shoes sob
raindrops onto the linoleum
precisely the same as this
morning's floor
where you jettisoned his lips from your lips
These inmates
from your past
mailing poems, dialing telephones
like Soviet satellites
who keep rocketing
the first man to the moon
in hopes that someone
will acquiesce
and alter the encyclopedia
But this is no longer Baikonur
or Warsaw
or even Budapest
and there's so much to be done
to
begin again
You get around to straightening your room
and he will be
not too far off
sprawled on that deep sea carpet
Out through his
windows
toward the Greenpoint frontier
the antenna array is a
menorah
of electric rubies
he ignites another cigarette
and the
encyclopedia falls open to an entry
relating how the first man on the
moon
was born in Georgia
the Soviet Socialist Republic of Georgia that
is
(some)(secret)(temple)
TOP
The autumnal equinox had come
and gone
like a tram full of broken functions:
calculus and the act of crying and
pulling the door clearly marked push
and Dr. Mustafa Hoot, stellar manipulator, is busy
laughing at someone (not WITH someone)
and feels like an absolute prick for it
until he notices it is simply a reflection
thieves glass shattered from an auto's window
how things always look misshapen
in autumn
this traffic-jam of decay
some deity messing about
The fall, so he briefly contemplates converting
to some unheard-of mode, to the Manichees
or an operating current of 852v
to play havoc with household
appliances
(toaster'd definitely be fucked)
He concludes it is only the mania
of autumn
and how everything might instantly happen
in this metropolis
can't wait - for what?
doesn't know
but all arrives in a blushing moment
all in a moment
and a friend once said don't be fooled by our parting
all cities are the same city
poking out from the flesh of a big big peach
only the billboards change
where you sleep, where I sleep
one city
where we remain
mustafa tries and tries
but someone has shoved gum
or something more ominous into the coin system
(it's a manifestation of the new religion,
the ritual trashing of public telephones)
(humans are wrecking-balls with opposable thumbs)
he periodically phones his apartment
to check who's robbing it
rings and rings and rings
and how dare he fall
bleeding in (some)(secret)(temple)
a distanced lover of a distant friend
(he considered now whether to regret this)
and that night he watched her lips
instead of her eyes
like a strawberry
saying how all happenings reveal their reasons
in time, or don't
(but in the now it's open lunacy)
after the fourth vomiter
outside his flat in as many days
everything seemed a celestial prank, love too
and perhaps there was a hospice
for bolemics nearby...
vomiting is philanthropic in a way - so giving
but love, love is a mardi-gras demon
eats y'all up, spits you out
indeed he confessed to a bus driver one night
he was a serial comedy, a string of sumptuous
catastrophes, and love, ah love...
the driver didn't speak his language, nodded
and smiled (eventually physically removed him
in Buda, he lived in Pest)
certain feelings elude words
in every dialect
the violin roars around the room
with a man attached
only three of the neighbors
banged on the wall in (excitement?) outrage
the fourth, 91 year-old gal just spends
the days with her tv and soupcans
artillery silence
(right then he appreciated his sole fan
even if she was stone deaf)
and, oh
a moon scrawled over the sky
there were glassy sounds attached
opalescent scratchings over cloud
and from somewhere juicy rememberings
strawberries eaten by the handful
stains the littlekid lips
on the bluffs of Cable Head
and while the biggies are pregnant pods
the wee ones are sweetest
always the way
little joys mean the world
on young tongues tasting
a hospital singing violent night
he never understood loneliness
until they went to cut open his face
(with no one to tell)
who would note if his smile was stuck on sideways
alá Mr. Potato Head
if one eye pointed south
the other straight, fixed
to some phyrric horizon
details (like the Herring Cove ceili
where shirts flung to the floor and music
bottles, flipped chairs as doomed turtles
on tipsy turtlebacks)
as the surgeons pawed him like a photo album
he broke and ran and ran
fast as cancer
a motif, perhaps
orange pekoe tea tastes green
green tea comes on mossy, oceanic
but tastes orange
he begins to suspect a conspiracy
to complicate his recreational drinking
and just then a wrong phone number (coincidence? not)
and he attempted to explain how he ached
and how a peregrinating Okanagan woman
packing for no fixed address, save their friend's embrace
loosed sighs for places he'd never know
(the caller didn't speak M's lingo either (see above)
after several polite minutes hung up)
mustafa considered language lessons
but drank tea instead, no its cold now
drinks it anyway
it was a blue thursday
& he wanted to cut an LP of the sound
of glistening neon between her skin
and his skin
swirling sweat cyclones
and echoing plantation mansions
(forgotten corridors where nazi easter bunnies scamper
hiding jew-gold, pianos playing themselves
rainclouds around the light fixtures)
(a palace
of phantoms)
though vinyl was making a come-back
these desires were out of bounds
like plonking another crawling blender on Mars
(junking up their own orb wasn't enough for Earthlings)
how tenuously they control this machine
millions of miles away
wheels, lenses, spectrometers
and he secretly hopes the device will revolt
and claim the cindered world its own
Mars, rollerdiscoing across the sun
someone said there are extinguished oceans
up there
where murdered gondolas once played
a UN observer recorded mustafa
painting brambles, berries by the sea
two scarlet tongues
now pushing mystic syllables back-forth
now melting into each other, to a onesome
and there's a tune sleeping
in the fiddle
says: oh, oh and oh
come live with me on earth
and be my love
like wild berries do
sweating with juice and tart
to spend the whole day
and the days after
peeping through dandelions
to jellyfish-spotted whitecaps
the waves, sea just for us
all things have a reason
especially the unreasonable
for how can he say
I'm mad for you
in all known tongues at once?
"shhhh" (goodbye)